Feist at the Masquerade Music Park on 4/18/08
- This venue is awesome! Outdoors with a nice backdrop of some of the Atlanta skyline and the weather was perfect. I wish they had more shows here.
- Feist knows how to start a show. She appears as a silhouette inside a white box (much like a David Copperfield magic trick) and sings a repetitive melody (with no accompaniment). Then I realize that she’s looping each repetition and building and harmonizing each time. By the end it’s a really big beautiful sound composed of nothing but her voice layered on top of itself many times over.
- As concerts go, I’m old
- Port-o-lets make me glad I’m a man
- I formulated what I’ll call Whit’s first law of concerts. I’m not sure it’s an original thought, but I came to it on my own. It goes like this: The ideal average tempo of your songs should be inversely proportional to the capacity of the venue you’re playing. T = m*(1/C)
- Feist has (and played) a lot of slow songs and therefore violated the above rule. It’s hard to keep a big crowd engaged in slow song after slow song. They work great in a coffee house though.
- Krispy Kreme is dangerously close to this venue, and is open late (though it’s drive thru only after 11 PM).
- I overhead a girl say to a guy “if you can talk her into it, I’m totally down!” I don’t know for sure what the conversation was about, but I know what it was about in my mind. If I had quicker reflexes, I would have flashed a big smile and a double thumbs-up to the guy, but I missed the opportunity.
- The “ba da ba da da” part of 1 2 3 4 makes a great sing-along for a big crowd.
- At outdoor concerts, you can have a great time even if the performance isn’t that engaging.
If slow songs are appropriate for small venues and fast songs for large ones, then doesn’t that mean that your average song tempo should increase linearly as a function of venue capacity?
In T = m * C, T that increases as C does.
In T = m * (1 / C), T gets smaller as C increases.
Yes, I’m being pedantic.
Damn, you’re right. I was intoxicated when I formulated that law. Your formula is a lot less impressive, but I guess it’s more important that it be correct. You can have second billing on this law of concerts.
Screw that, I’m introducing mine as an amendment and everyone will forget that you were the author of the original law. 🙂